UGC & Creator Content
Content for AI products, made by someone who uses them.
I’m Kevin. I build software with AI every day and I make content about it for around fifty thousand people who are paying close attention.
If you have an AI product worth talking about, I’ll sign in, put it against real work, and make something that sounds like a person who actually used it. Because I did.
- 26.4K @kevinfremon
- TikTok
- 24.4K @kevinfremon
- AI products only
- Hands-on before I film
- Projects from $1,500
Who is actually watching.
Roughly fifty thousand people across Instagram and TikTok. Founders, operators, marketers and builders who follow me for one reason: they want to know which AI tools are actually worth their time.
That audience is worth more per view than a general feed, and it is also less forgiving. They can tell when someone is reading a script about a product they have never opened, which is exactly why I don’t do that.
Why bring this to me.
-
I use the product first
I build software with AI every day. Before I film anything I sign in, put it against real work and find out whether it holds up. That's the part that makes the video land.
-
I know when a claim is nonsense
I run an AI product studio and an AI agent that operates my own company. I can tell the difference between a genuine capability and a wrapper with a waitlist, and so can my audience.
-
The audience is the buyer
Founders, operators and marketers evaluating tools with real budget. Not a general feed that happens to scroll past your product.
-
I'll tell you if it isn't a fit
A video from someone who obviously doesn't believe it converts worse than no video. If your product and I aren't a match, you'll hear that instead of a quote.
What I make.
- UGC video
- Thirty to sixty seconds, shot for your channels and your ad account. You own it, I don't post it.
- Creator post
- The same craft, published to my Instagram or TikTok. Priced differently, because you are buying reach as well as the content.
- Product walkthrough
- A real demo of the thing doing the job it claims to do. The format that sells software rather than describing it.
- Hook variants
- The same body cut against three or four different openings, so your media buyer has something to test.
- Story frames
- Three to five frames with a link, built to run alongside the main asset rather than instead of it.
- Photos and stills
- Product in use, shot for landing pages and static placements. Usually an add-on rather than the whole job.
What I say yes to.
Yes, if…
-
You have an AI product I can actually sign into.
-
The tool does a clear job for a clear person.
-
Your budget is approved, or close to it.
-
You want an honest take, not a read-aloud.
-
You care whether the content converts, not just whether it exists.
No, if…
-
I can't get hands on it before filming.
-
The product claims more than the AI actually does.
-
You need every word read from a script.
-
Payment is product, affiliate or exposure.
-
I've promoted a direct competitor in the last ninety days.
How it works.
-
Send the brief
The form below. It asks for the things I need to quote accurately, which is why it asks about budget rather than dancing around it.
-
I check fit
I look at the product, decide whether I can stand behind it, and reply within three business days. You get an answer either way.
-
Scope and quote
A fixed price in writing: deliverables, hooks, revision round, usage window and where it can run. No hourly, no surprises.
-
Deposit and access
Half up front, plus a working account on your product. Nothing gets filmed off a landing page.
-
Production
First cut in seven to ten business days. One revision round is included, and rush timelines are available for a premium.
-
Delivery
Final files, the licence window starts, and anything going to my channels gets scheduled and disclosed.
Projects start at $1,500.
Three things move the number from there: how many pieces you need, whether the content goes out on my channels or only on yours, and how long you want the right to run it as a paid ad.
Tell me the budget you actually have and I’ll tell you honestly what it buys. That is the whole reason the form asks.
Before you write to me
What does a project cost?
Projects start at $1,500. Three things move the number: how many deliverables you need, whether the content goes out on my channels or only on yours, and how long you want the right to run it as a paid ad. Tell me the budget you have and I'll tell you honestly what it buys.
What's the difference between UGC and a post on your account?
UGC is content you own and publish yourself. You are paying for production. A creator post goes to my Instagram or TikTok, which means you are also paying for access to an audience that has spent two years deciding whether to trust me. They are separate products with separate prices, and I won't quote one and deliver the other.
Can I run the content as a paid ad?
Yes, and it is one of the better reasons to work with me. Paid usage is licensed for a set window, usually ninety days or twelve months, and priced as an addition to the content fee. Perpetual buyouts are available and cost meaningfully more. Whichever we agree to goes in writing, and the rights revert when the window ends.
Do you really need access to the product?
Yes, and this is the one thing I don't bend on. I can't credibly tell fifty thousand people a tool is worth their time if I've only seen the marketing site. A trial account is usually enough. If the product isn't ready for anyone to use yet, we're too early.
Will you follow our script?
I'll work from your key messages, your positioning and anything legal needs said word for word. The rest is written in my voice, because a script read by someone it doesn't sound like is obvious in about four seconds. If you need a verbatim read, you want an actor rather than me.
How fast can you turn something around?
First cut in seven to ten business days from deposit and product access, with one revision round included. Anything under five business days is a rush and carries a premium, because it moves other work.
Do you disclose that it is paid?
Always, clearly, and on every piece that goes to my audience. That isn't a negotiation and it isn't a favour I'm asking for. The disclosure is part of why people believe the recommendation.
What if my budget is under $1,500?
Say so in the form anyway. I'll give you a straight no rather than leaving you waiting, and if the product is genuinely interesting I'll tell you what a smaller version would look like. What I won't do is trade the work for a free account or a share of revenue.
Tell me about the campaign.
About three minutes. Answer the budget question with a real band and you’ll get a real scope back rather than a discovery call.